Sherman Alexie
author : Sherman AlexieSherman J. Alexie, Jr., was born in October of 1966. His mother was Spokane Indian and his father was Coeur d'Alene Indian. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington. He was born hydrocephalic, which means with water on the brain, and received an operation at the age of 6 months. He was not expected to survive, but did, even though doctors predicted he would live with severe mental retardation. Surprisingly, though he suffered from severe side effects, he exhibited no symptoms of retardation and went on to learn to read by age three, and read Steinbeck's The Grapes of Wrath by age five. Alexie decided to attend high school off the reservation, in Reardan, Washington, where he knew he would get a better education. He was the only Indian at the school, and excelled academically as well as in sports, becoming a star player on the basketball team. After high school, Alexie attended Gonzaga University in Spokane on scholarship in 1985. After two years at Gonzaga, he transferred to Washington State University. Alexie had dreams of being a doctor but discovered he needed a different career path after fainting three times in anatomy class. Taking a poetry workshop at WSU, Alexie found he excelled at writing and, encouraged by poetry teacher Alex Kuo, realized he'd found his new career. After graduating in American Studies from WSU, Alexie received the Washington State Arts Commission Poetry Fellowship in 1991 and the National Endowment for the Arts Poetry Fellowship in 1992. A year after he left WSU, two of his poetry collections, The Business of Fancydancing and I Would Steal Horses, were published. His first collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, was published by Atlantic Monthly Press in 1993. For this collection he received a PEN/Hemingway Award for Best First Book of Fiction, and was awarded a Lila Wallace-Reader's Digest Writers' Award. Alexie was then named one of Granta's Best of Young American Novelists and won the Before Columbus Foundation's American Book Award and the Murray Morgan Prize for his first novel, Reservation Blues, published in 1995. His second novel, Indian Killer, published in 1996, was named one of People's Best of Pages and a New York Times Notable Book. Alexie had become friends with musician Jim Boyd, a Colville Indian, and the two decided to collaborate on the album Reservation Blues, which contains the songs from the book of the same name. In 1996 Boyd and Alexie opened for the Indigo Girls at a concert to benefit the Honor the Earth Campaign. In 1997, Alexie embarked on another collaboration with Chris Eyre, a Cheyenne/Arapaho Indian. They agreed to collaborate on a film project inspired by Alexie's work, This is What it Means to Say Phoenix, Arizona, from the short story collection The Lone Ranger and Tonto Fistfight in Heaven. Smoke Signals debuted at the Sundance Film Festival in January 1998, winning two awards: the Audience Award and the Filmmakers Trophy. In 1999 the film received a Christopher Award, presented to the creators of artistic works \Sherman Alexie Book Series
author : Sherman AlexieSherman J. Alexie, Jr., was born in October of 1966. His mother was Spokane Indian and his father was Coeur d'Alene Indian. Alexie grew up on the Spokane Indian Reservation in Wellpinit, Washington. He was born hydrocephalic, which means with water on the brain, and received an operation at the age of 6 months. He was not expected to survive, but did, even though doctors predicted he would live with severe mental retardation. Surprisingly, though he suffered from severe side effects, he exhibited no symptoms of retardation and went on to learn to read by age three, and read Steinbeck's The Grapes of Wrath by age five. Alexie decided to attend high school off the reservation, in Reardan, Washington, where he knew he would get a better education. He was the only Indian at the school, and excelled academically as well as in sports, becoming a star player on the basketball team. After high school, Alexie attended Gonzaga University in Spokane on scholarship in 1985. After two years at Gonzaga, he transferred to Washington State University. Alexie had dreams of being a doctor but discovered he needed a different career path after fainting three times in anatomy class. Taking a poetry workshop at WSU, Alexie found he excelled at writing and, encouraged by poetry teacher Alex Kuo, realized he'd found his new career. After graduating in American Studies from WSU, Alexie received the Washington State Arts Commission Poetry Fellowship in 1991 and the National Endowment for the Arts Poetry Fellowship in 1992. A year after he left WSU, two of his poetry collections, The Business of Fancydancing and I Would Steal Horses, were published. His first collection of short stories, The Lone Ranger and Tonto Fistfight in Heaven, was published by Atlantic Monthly Press in 1993. For this collection he received a PEN/Hemingway Award for Best First Book of Fiction, and was awarded a Lila Wallace-Reader's Digest Writers' Award. Alexie was then named one of Granta's Best of Young American Novelists and won the Before Columbus Foundation's American Book Award and the Murray Morgan Prize for his first novel, Reservation Blues, published in 1995. His second novel, Indian Killer, published in 1996, was named one of People's Best of Pages and a New York Times Notable Book. Alexie had become friends with musician Jim Boyd, a Colville Indian, and the two decided to collaborate on the album Reservation Blues, which contains the songs from the book of the same name. In 1996 Boyd and Alexie opened for the Indigo Girls at a concert to benefit the Honor the Earth Campaign. In 1997, Alexie embarked on another collaboration with Chris Eyre, a Cheyenne/Arapaho Indian. They agreed to collaborate on a film project inspired by Alexie's work, This is What it Means to Say Phoenix, Arizona, from the short story collection The Lone Ranger and Tonto Fistfight in Heaven. Smoke Signals debuted at the Sundance Film Festival in January 1998, winning two awards: the Audience Award and the Filmmakers Trophy. In 1999 the film received a Christopher Award, presented to the creators of artistic works \